FINAL THOUGHTS
Even
though this class has its origins in finding the connections between art and
science, for me it has become a platform to explore how art percolates every
facet of my life and every dimension of my thought process. For me, it’s become
the art-and-everything-else-and-how-they-and-we-are-all-connected class.
In
a very practical sense, fieldtrips to JPL were incredible bolsters of artistic
confidence, as we saw artists thriving in scientific fields, relied upon for
their applicable skills. It’s a scary world out there for a kid with an arts
degree, and NASA made me feel like there’s a place for us nerdy visualizers
where we are not only appreciated, but necessary.
But
in a greater way, this class was a mental jumping off point for me in thinking about
how I think. And how the intersection of art and science has always been
something that has been duking it out in my brain. Right vs left brain or
whatever other analogies that can be attached to such a controversy just speak
to a greater idea of paradox. Whitman once said, “do I contradict myself? Very
well then, I contradict myself. I am large, I contain multitudes.” These
multiplicities and paradoxes do not, I think, within the scheme of art and
science, need to necessarily be resolved. I think the friction that occurs
between mediums and disciplines is healthy—it’s exciting. I’m most stimulated
and inspired when I’m talking with people that have something different to say
to me, something outside of my own experience. The phenomenon of social homogamy
states that we are more likely to become attracted to (in a friends or other
sense) other people who share similar thought processes or even socioeconomic
backgrounds with us. Although I agree that these connections are easier and
more likely, I would say that they can sometimes be less fulfilling. Those
connections that you have to work for, that don’t make sense until you’ve
really delved into the kinks…those kinds of interactions between people, and
between art and science, are the ones that I think are the most valuable.
On
a very base level, I think art and science inherently have a reliance upon one
another. Art relies upon science in its technicalities—astrophotography is
cool, but only if you understand how your camera works, for which you need to
understand the physics of light (ie, science). Science is indigestible unless
visualized and conceptualized by someone who can take ideas and put them into
pictures, charts, diagrams, and there is an art to that.
But
most significantly, art and science are both fields that search for meaning. We
ask why and how. We want to understand, to investigate, to experience. And then
to communicate that experience, to replicate it or synthesize it in a
meaningful way. We are meaning-seekers, and meaning-makers.
With
this in mind, Katie and I collaborated to create a piece about connectivity.
When I took astronomy my first semester at college, I remember reading what
stands as the most significant line of text I’ve ever encountered in a text
book. In describing the recylcling of star matter in the creation of new stars
and also therefore galaxies and other cosmic bodies, the book said, “we are all
star stuff.”
This
connection of all beings with mass, attracted to each other by gravity, is a
theory of science. But it is a concept that is constantly grappled with by
artists, by seekers of spiritual meaning. So with ideas of spirituality and
science and art and the connections of all three and the connections of
everything ever…we started to make a video. Accompanied by a free-verse poem I
wrote, and a list-style free-verse poem by Katie.
Mine
is this:
science
and spirituality take us on similar journeys, and help us arrive at parallel
realizations of our connections to the universe. theories of quantum entanglement
explain to me what i already know when I’m holding hands and listening to rain
on my window. i begin to understand that i am only one piece and that the one
piece i am is actually an unquantifiable bazillion things that have nothing to
do with me, that have never known my name. but all the parts of me that have no
concept of me do not make my sense of self less significant, but make me
realize i am an entire universe a million cells in orbit that whether or not i
have a soul i am soulful and firefull and starfull and lightfull and lifefull
all that fills me is what fills everything and everyone and every place else. i
am star stuff you are star stuff it is all we are all star stuff and one and
many. it is all starstuff. everything. this and that and you. roses and smiles
and fires. oceans and sands and waves and hands. and dog licks and cold
fingers. and atoms and solar flares. and craters and mountains on earth on the
moon on mars on planets we’ll never hear of before our lifetime. star stuff,
all of it. in the beginning if there ever was a beginning it was all one we
were all one. but even now wherever now is relative to beginnings and endings,
the cyclic nature of matter is such that there is never any matter created or
destroyed. and so we are supernovas and cosmic catastrophe, we are what has
always existed and we will always exist. as matter. we matter. matter matters.
we exist as matter therefore we matter. and we are all conglomerates of each
other and the past and the future we will be a new combination so there are
really no differences. except that there are. those beautiful variations of
this same star stuff that makes either a person or a pond, a mountain or a
molehill, a sound or a fingernail or a scale or a snail or a river or a canyon
or an earth or a comet. this little pieces this star stuff that makes us. it
aligned to make you. and me. as we are as we can be as we choose but also as
the matter chose to be. we live our lives as all our parts fulfill evolutionary
destinies unknown to us unrelated to us. there is no malice in cancer, only
programming. death kills only the combination of parts that makes us in this
moment. our parts never dissipate. the star stuff lives on even when we think
we die. even if by our actions we kill this planet we cannot truly kill
anything. there is no destruction that escapes the recycling of matter. we are
indestructable in our parts, though fleeting in our wholes. now i am human. but
tomorow i could be breath or blankets. tiles or bark on a tree. an apple, a cheeto,
a streetlamp’s glow. i am an ocean in a drop. i am an entire universe, and all
you know of me is starlight.
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