Art and science.
Two seemingly unrelated disciplines on other sides of the world—no, galaxy. Finding a link seemed farfetched, which I
guess brings us to today’s thought of figuring out that, “Hey, they really are
similar in some ways!”
Enter: NASA’s Jet
Propulsion Laboratory in Pasadena, California. We learned about rovers, the
lives of scientists, how things were made and which cafeterias had the best
burgers. We learned about Mars: how they map it, its atmosphere, its surface,
distance from the Earth and its time relative to ours. We saw how the artists
of JPL bring simple knowledge to the public through short animations and
graphic design concepts that advertise the planets as vacation destinations. We
were given the opportunity to pick some of the greatest minds in science. There
was nothing that we didn’t know beyond the parameters that we could.
Enter: Janna
Levin. One of the most incredible speakers I have had the pleasure of listening
to, to this date, I believe that her talk is the auditory equivalent to the
intersections of art and science. Why? Because she has a way of creating
examples about her works with black holes and working within limits that is
understandable to the average person using creative example that create a
mental picture in the listeners head. Levin does not describe herself as an
artist, but her ability to create mental pictures of complex physics says otherwise.
So how does art
and science intertwine? Both start with a vision, develop a process and produce
a conclusion in which time varies. In Janna Levin’s talk about the Mobius
Strip, we can compare art and science to the glove that goes in right and comes
out left. At its core, art and science are both gloves—they have a purpose and
have to think creatively in order to come to new conclusions or come up with
new questions about the universe or their crafts. The only difference is that
in the end one comes up with a new formula, equation etc., and the other has a new
installation, painting etc..
For my final
project, I was inspired by our lecture at JPL about the gullies and our quest
on Mars to gather samples of the Earth in order to find out whether life was
viable on the red planet. I wanted to take that concept of gathering samples
from Mars and that lecture on gullies and combine them to create a piece that
reflects that. In my piece I wanted to convey a sensibility that we had taken
back a sample of a gully from Mars and held it in place in a large reddish
brown rectangle petri dish that we have zoomed into.
Art and science
from a distance look distinctly different, but up close it seems that they
aren’t as different as many would think. In this class we have been given so
many amazing opportunities to visit once in a lifetime places, meet once in a
lifetime people, and learn lifetime knowledge. Experience isn’t everything, but
it sure makes a hell of a difference. It seems that art and science aren’t a
galaxy away, but are instead crossing stars soaring towards each other
perpendicularly; meeting not at a point… but at an intersection.
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